Adaptability is the most useful trait a podcaster can have in 2021, says Edison Research SVP Tom Webster. His opening keynote at Podcast Movement will focus on adaptation, both in how creators behave and how they interpret information. As it turns out, Apple’s infamous auto-download bug wasn’t a total loss.
The bug is a helpful reminder that the failure of an automatic download doesn’t necessarily mean fewer listens, especially in the age of Spotify and YouTube: “Downloads and audience are two different things, and we should never get that twisted. If you are only measuring downloads, you are not measuring audience.”
Where auto-downloads are passive, the intentionality of a stream reveals more about how listeners perceive a show’s value in real time. Webster suggests we think of a stream as a ‘user-requested’ manual download, where there are no guarantees of repeat business week-to-week — “unless the show is great.”
The last 18 months have brought a flood of cash (and attention) that’s threatening the viability of independent shows, writes Miranda Sawyer of The Guardian. “In this big-pockets, big-boots era, when all the attention goes to celebrity shows, or those with a large marketing spend, how can lo-fi podcasts survive?”
Creators including Maeve McClenaghan, who makes the UK investigative podcast The Tip Off, offer thoughtful answers to that question. When it comes to approaching podcast companies with an idea, she says that “You have to make sure you’re a vital component” that can’t be replaced in the event of production.
Looking just at the British Podcast Awards, Sawyer likens the sea change to gentrification. On an individual level, the solution has always been the same: community. “Discoverability, talent, community and, yes, money are all what independent podcasts have always had to take on. It’s just that the stakes have got higher.”
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