If you choose one best-of-the-year podcast roundup, we recommend Bello Collective’s for the second year in a row. Co-editors Ashley Lusk and Galen Beebe have arranged 100 picks from members and friends, divided into four categories: Conversation, experiential, fiction, and narrative nonfiction (the largest by far).
The New York Times’ Reggie Ugwu listed 10 from this year’s “distressingly bountiful landscape,” half of which appear in Bello’s collection: La Brega from WNYC Studios and Futuro Studios, “Mission: ImPASTAble” from The Sporkful, “Home/Front” from Rough Translation, Dan Taberski’s 9/12, and Ian Coss’s Forever Is a Long Time.
In podcasting as well as film and music, overlap in these kinds of lists can be tricky. However, algorithms and marketing budgets have minimal influence over this diverse and multilingual roundup. Many thanks to Bello’s editors and contributors for their mission to “curate, inspire, and dissect the world of audio” since 2016.
“Over the last two years, Spotify have been busy announcing deals for podcasts,” writes Podnews editor James Cridland. “But when it comes to the shows themselves, where are they?” Tabloids have recently turned up the heat on Meghan and Harry’s £18 million contract, one of several celebrity projects to go quiet.
“Big announcements are easy to make, and they make for a good press story,” Cridland says. Spotify’s stock value rises with each partnership headline, promoted by a “bewildering array” of PR firms. Other mysterious deals from 2020 include Chernin Entertainment, Warner Bros and DC Entertainment, and Kim Kardashian West.
Cridland questions the point of the premature hype. “If there is a track record of these announcements never coming to fruition or delivering any value for the company, when do these announcements become a little misleading?” Maybe this will be a ‘gentle nudge,’ like the one Spotify is rumored to have given the royals.
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