Radio Ink addresses music licensing questions around a Thursday announcement from Broadcast Music Incorporated and the Radio Music License Committee. The main takeaway: “For now the safest bet is to avoid playing music in podcasts.”
“At the very end of the BMI/RMLC press release, ‘podcasts’ are included as a platform in which music in the BMI catalogue is ‘covered’ by the scope of this new agreement,” the post points out. “Does that mean one of your hosts can start a music podcast tomorrow without fear of breaking any copyright laws?”
It’s a complicated issue that was discussed at length during Podcast Movement 2019. Due to several factors, including the podcast industry’s murky definition of downloads versus streams, Radio Ink concludes that no major licensing barriers have been overcome.
Storyteller and audio producer Morgan Givens is the creator of Flyest Fables, a fictional podcast of “brand new fables for the 21st century.” A graduate of the Transom Story Workshop, Givens was asked by the program’s team for some “encouraging words for anyone out there dabbling in audio fiction.”
“Before we start coloring outside the lines, we should know what lines exist — if for no other reason than that we can create something incredibly novel and fun,” Givens advises. He suggests tuning in to curations like Elena Fernández Collins’ Audio Dramatic newsletter, to “find innovation and draw inspiration.”
Givens’ approach involves careful observation. “If I’m standing on a busy city street, I’ll pause, out of the way, close my eyes and listen. What am I hearing?” he asks, describing a favorite creative exercise. “Once I learned to recreate sounds in the real world, it made it much easier for me to create sounds in a fantasy world, too.”
A recent conversation on the View From Venus podcast, borne of the University of Venus blog at Inside Higher Ed, focused on podcasting as an innovative space for women’s voices. Mary Churchill, Associate Dean at Boston University, co-founder of the blog, and co-host and producer of the podcast, details takeaways from publishing professor Hannah McGregor.
“It was a fascinating conversation, but it was not at all what I had anticipated,” Churchill writes. “I learned that podcasting, although it has been historically dominated by men, has become a space for women. Part of the history of male dominance is around what Hannah referred to as the politics of the voice and expectations around what a listenable voice should sound like.”
The two discussed criticism around women’s voices, famously noted by Ira Glass of This American Life referring to complaint mail. Luckily podcasting is the opposite of low-hanging fruit for online trolls, they assert. “In many ways, podcasts are ideal spaces for listening in anticipation of joining a conversation.”
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