A guest column in Variety introduces “Microcasts,” mini-podcasts “uniquely optimized” for multimedia and smart speaker distribution. Lars Murray positions these 7- to 10-minute “contextual content pieces” as a solution to a problem.
Murray’s company, PopCult Worldwide, creates Microcasts to allow artists to “talk with their fans, create community, and maintain a daily or weekly connection in a Voice environment.” They’ve begun a bite-sized weekly series from recording artist K.Flay, called what am i doing here.
“The subject matter varies, from interviews with other artists to musings on how airports turn us all into animals,” Murray explains. Episodes are initially released exclusively on Alexa and Google Home, underscoring the casual, personal nature of the experiment.
NBC News podcast The Thing About Pam has been at No. 1 on Apple Podcasts almost consistently since it launched about 3 weeks ago. Hosted by “Dateline” correspondent Keith Morrison, the true-crime show is a prime example of TV successfully adapted into a podcast.
On the flip side, podcasts reimagined for TV have been getting major attention as of late. UCP’s Dr. Death with Alec Baldwin and Facebook Watch’s Limetown starring Jessica Biel come to mind. The Thing About Pam “gives listeners a close look at the murder of Betsy Faria and the mysterious events surrounding her death,” writes Alyssa Meyers for Business Insider.
David Corvo, the senior executive producer who oversees “Dateline” production, “attributed the podcast’s immediate success to [the TV show’s] brand,” but places key value on storytelling: “In a podcast you’re asking the audio to paint the pictures that, on television, you show.”
Variety reports that “Vice Media, in another bid to diversify its revenue mix, struck a deal with Spotify to distribute three podcast series exclusive on the streaming platform.” Spotify seems to be “rounding out the nonfiction podcast slate” established by a June deal with Barack and Michelle Obama’s Higher Ground Productions.
The shows will be “covering the 2020 U.S. election and current events worldwide” as part of yet another major initiative to prioritize audio. Kate Osborn, Vice’s global director of audio, was a “showrunner/producer for the Chapo podcast” which led to her current position. “You’re seeing this at every single media brand,” said Osborn.
Before this deal, “Vice had some podcasting and audio experiments here and there. I would say our new direction is more highly produced, audio-first productions.” Plans in the near future involve taking an “international lens” to the network’s nonfiction material.
Happy Friday, readers. In the spirit of changing seasons and crisp leaves (in parts of the Western Hemisphere, that is) we’d like to congratulate the Boston metro area on its many podcasting festivals. If you’re nearby or just a New England admirer, check out these wicked rad events.
Cheers,
Team PM
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