This Friday’s featured article is Part II of our conversation with Lory Martinez, founder and CEO of the Studio Ochenta. To accompany our discussion of Mija podcast, we learned about two other fresh shows from Ochenta Originals. Wine School Dropout and How Not to Travel are narrative, educational podcasts that present complex topics in accessible, responsible format.
“Podcasting is a global medium and your listener can be discovering your podcast because they looked up wine, or looked up New York City, and they found this podcast,” Martinez says. “That’s their introduction to the culture and you have to be conscious about the way you’re representing something. I think that’s so powerful.”
On the hit Gimlet podcast Heavyweight, “host Jonathan Goldstein eases friends and listeners, and sometimes himself, into revisiting and redeeming regrets.” Skye Pillsbury, the creator of newsletter and podcast Inside Podcasting, was featured last year to discuss a mysterious event of her adolescence.
Pillsbury sat down with Goldstein to “ask him all the questions [she] had stored away” during the episode’s production. Their conversation spans the origins of Heavyweight, why Pillsbury’s pitch made the cut, and what happens when explorations of the past hit a dead end.
“You can have good writing and clever jokes,” Goldstein says about his documentary philosophy. “But the thing that is the most lasting, the thing that people connect with most is vulnerability.”
When growing and promoting your podcast, dipping into your back catalog is not only acceptable but a proven method to increase engagement. Dan Misener returns to the question of how to best leverage your finished content, “especially if your episodes are evergreen or have a long shelf life.”
“We’ve seen many examples where high-quality episodes continue to pay download dividends long after their initial release,” writes Misener. The key is to “identify the episodes most deserving of the spotlight” which will “give us the best bang for our promo buck.”
Start by identifying specific episodes that have held listeners’ attention. After all, “the great thing about back catalog episodes is that you already have real-world audience data about episode effectiveness.”
Happy Friday, readers. Many of you made us think, but mostly laugh, this week with your replies to our deep question. Keep them coming, please! Stop, drop, and roll.
Cheers,
Team PM
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