Yesterday Spotify gave a strange explanation for why it’s made more of its podcasts exclusive to the platform: Somehow, making content exclusive is an “inclusive” act. In the last few months, Spotify-produced shows like Serial Killers, Motherhacker, and How to Save a Planet have been removed from RSS podcast feeds.
“Although this may require a shift in listening habits, we want to share more about why we are doing this,” the company said. Based on the rest of the post, here’s a clearer version of that statement: “Although this may require a shift in listening habits, we want to share more about [which is] why we are doing this.”
Spotify frames its belief that “streaming is the future of all audio listening” as one in the interest of the podcast ecosystem. (Creators benefit from the analytics, and listeners benefit from the recommendation algorithm.) The company hopes this brings “clarity and a window into our podcasting strategy.” It does.
Thanks to reporting by The Ringer’s Claire McNear, the newly appointed host of “Jeopardy!” is in hot water. In 2013 and 2014, Mike Richards made misogynist and anti-Semitic comments on his podcast, aptly named The Randumb Show. Unfortunately, coverage of these (many) incidents tends to focus on the medium.
“Hosting a podcast is a dangerous business,” wrote Adrienne Westenfeld of Esquire, opening a piece published yesterday. “Sure, it might bring you fame and fortune, but it also might torch your career, because just like Tweets, YouTube videos, or your college Tumblr, old podcasts can come back to haunt people.”
No. Hosting a podcast doesn’t “torch your career.” Old podcasts don’t haunt people. Voicing your misogynist and anti-Semitic opinions into a microphone and putting them on the internet is what torches your career. Leaving them there for years, assuming they’d go unquestioned, is not the same as being haunted.
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