This week’s controversy makes one thing clear: A content policy is just a distraction if it will never apply to one valuable asset. True to its word, Spotify has taken “the appropriate enforcement action” toward Joe Rogan’s threats to public health. That action (none) is consistently profitable, and therefore appropriate.
Yesterday Ashley Carman broke down the many reasons Spotify can’t afford to lose The JRE. The ad revenue alone is staggering — Neil Young had no chance of interrupting that. Once they accept it, podcasters angered by the company’s stance are faced with a personal moderation question: Where do they draw the line?
The newsletter platform Substack, also in hot water, similarly profits from a ‘hands off’ approach. Harvard researcher Joan Donovan has this to say: “Clear policy will ensure they can enforce their terms early on before a creator has caused so much damage that it’s impossible to separate bad actors from a bad product.”
The BBC plans to experiment with podcast exclusivity in March, according to the British comedy site Chortle. Friday Night Comedy and several others will be only on the BBC Sounds app for 28 days, at which point they’ll be distributed everywhere else. The show is regularly in Apple Podcasts’ top 10 comedies in Great Britain.
BBC reps reportedly said in a statement: “The global tech giants are more routinely publishing content exclusively on their platforms. We want to make sure people can easily find new things from the BBC and can’t rely on other platforms, who have their own exclusive content and a global catalogue to promote, to do this for us.”
It’s clear that they really, really want more users on the app. However, The News Quiz and much of Friday Night Comedy is topical, and fans who decide not to switch will be left listening to riffs on month-old headlines. Could this test have a positive outcome? We haven’t seen this covered elsewhere but will keep an eye out.
Happy Friday, readers! And now, some goofy satire to round out the week.
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