On the morning of January 6, the sociologist, writer, and professor Tressie McMillan Cottom and her co-host, Roxane Gay, moved their scheduled podcast recording session. Cottom writes, “Our very smart production team knew what we knew — Roxane and I just needed to talk with each other and with our audience.”
On Hear to Slay, that dialogue between hosts and listeners held special weight. For Cottom, its reciprocity contrasts with much of podcasting: “Our audience has been as vocal this week as they have ever been. They want to be called in, even if they do not know that they are asking for refuge in the Black rhetorical tradition.”
Cottom discusses the white rhetoric of podcasts and the range of experience it fails to produce. What we hear must come in multiple registers, she writes. “I am also all the more certain this week than I have ever been, that audio stories and news have to develop the foundation of Black storytelling as a format and style.”
Across Big Tech, years-long battles over content moderation are coming to a head. What does that mean for smaller platforms with similar problems? Alex Kantrowitz of OneZero considers Substack, Spotify, and the newcomer Clubhouse, which “has already endured a lifetime’s worth of moderation controversy.”
The audio-only social platform hasn’t shown much of a plan, Kantrowitz says. “Clubhouse’s tentative moderation approach might reflect the ideological reticence that Facebook, Twitter, and YouTube displayed in their early days.” Taylor Lorenz, the NYT reporter subjected to high-profile harassment this summer, agrees.
Audio moderation is expensive and polarizing, but this isn’t mid-2010s Twitter. “We discovered a lot of the issues with the bigger platforms about five years after they became too large,” commented investor Siri Srinivas. “We’re using the same vocabulary to talk about Clubhouse.” This source article contains strong language.
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