Apple’s next six months of podcast subscriptions are unlikely to offer the beginning’s benefits, writes Sounds Profitable editor Bryan Barletta. Now’s a time to be along for the ride — “every new channel and show that sets up a subscription reduces your show’s chance to attract promotional attention from Apple.”
That said, a very important message from Joshua Benton of Nieman Lab: “Please, please make it clear to your readers what a ‘subscriber’ is.” The term can mean two things, he stresses to journalists. People who pay for regular access to your product (or, in the case of podcasting), versus people who have listened for free.
Numbers are easy to misrepresent with digital subscriptions as a business model. From Ozy Media to Punchbowl News, Benton gives examples of publishers fudging the free-paid distinction. Apple’s terminology switch from ‘subscribe’ to ‘follow’ for free listeners makes sense here, so represent with honesty.
The next music hitmakers/tastemakers/influencers will be podcasters, writes Edison Research SVP Tom Webster. Great, curated on-demand music shows will remain overdue until music licensing becomes simple and affordable. A lack of coordination between industries is all that’s holding back a much-wanted renaissance.
In other news, Webster and his wife, speaker and strategist Tamsen Webster, will present “The Pitchable Podcast” on December 9. Free for (free) email subscribers, the webinar will cover why most shows fail at the pitch stage: They’re “just missing an element or two that would truly distinguish it and make it compelling.”
Last but not least, this coming Thursday we’ll see “the first true apples-to-Apple comparison of the US and UK podcasting markets.” Registration is free for the inaugural Infinite Dial UK from Edison Research, streaming from London at 2:00 pm GMT/8:00 am CT. The presentation of the report will be available for download.
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