The Pro Storytelling Tips series returns this Friday from podcaster and documentary filmmaker Doug Fraser. This piece is about the hardest, most essential steps of editing — honestly, impartially ‘cutting the BS.’ How does a storyteller identify what’s truly worth keeping?
“Don’t let your fondness blind you during the editing phase — playing favorites isn’t welcome here,” Fraser asserts. Faced with dissecting your labor of love, the pre-polishing process is hard, but “the more disciplined we become in this stage, the more quickly we’ll get to a polished draft.”
The article lists 4 questions to keep in mind when on the fence, including “Are you using 20 words when 3 will do?” Cut what doesn’t move your story along from an audience perspective. Above all, Fraser urges podcasters to “Create for expression, edit for impression.”
Hannah Cross of National Indigenous Times details how “Spotify is placing First Nations voices front and centre as it calls for applications for their Sound Up podcasting accelerator program.” The Australian initiative is in its second year, taking place in Sydney in May.
Tiddas 4 Tiddas creator Marlee Silva and fellow podcast expert Rekha Murthy will lead the course, “teaching ten lucky Indigenous applicants how to plan, create and edit their podcast ideas.” Cross speaks with Rowdie Walden, a participant in the first round in 2018.
Regardless of the eventual outcome, Walden said, “you’re still leaving with all of these amazing skills that you can take back to community or take back for other programs or ideas you might want to do.” All participants are given equipment and software, with three winners receiving production grants.
Both the RAIN Podcast Business Summit and On Air Fest were held last week, representing a Venn diagram of industry perspectives. Identifying their crossovers and diversions, EB Moss calls the two events “a testament to the power of the spoken word to share knowledge and art.”
At the RAIN Summit in Manhattan, “speakers were podcasting notables with more of a business background, including senior sales and research executives.” Podnews editor James Cridland served as presenter, “rallying the suits” with an entertaining demonstration of stats.
Moss found that On Air Fest, held at Brooklyn’s Wythe Hotel, had “a completely different vibe.” Its interactive experiences, “from Audible-sponsored listening booths to multimedia productions to DJed mixers,” complemented the “diversity of storytelling” on display.
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