“What do you call a podcast that presents a single, fictional story in 90 minutes?” The New York Times recently dug into ‘podcast movie,’ a new term made up to sell audio fiction featuring celebrities. As Joshua Dudley writes in Forbes, headlines about hour-plus features ‘stretching the medium” are getting old.
With star-led projects like “Ghostwriter,” C13Features is spearheading the name trend. “You could say ‘feature-length podcasts’ but that just seems boring,” Chris Corcoran, the company’s co-founder, told the NYT. “You want to exemplify the experience in a way that feels forward-looking but is still legible to the consumer.”
Audio fiction veterans have expressed frustration that their work is being sidelined, Dudley says. Organized audio drama production has been going on for 100 years, is quickly growing in popularity, and claims a segment of unusually dedicated fans. What’s new here is packaging and (much) higher paychecks.
A belated happy Public Domain Day to podcasters, and a strong suggestion to check out this year’s treasure forecast. An estimated 400,000 sound recordings from before 1923 will become free to download and use for any purpose, writes Jennifer Jenkins, Director of Duke’s Center for the Study of the Public Domain.
A trove has been released, with more to come over the course of the year. Podcasts will soon be able to add remarkable audio: “Everything from experiments with nascent sound recording technology in the late 1800s to opera, classical music, early blues and jazz, vaudeville, ragtime, popular songs, and comedy sketches.”
Jenkins’ provides 25 favorites, including early recordings by African-American artists and the first tracks from a legendary opera singer. “Even on a scratchy recording from over 100 years ago, the magic comes through.” The Library of Congress will make all of its pre-1923 recordings available on the Duke Law site this year.
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