This past Monday evening, your editor had the pleasure of seeing Helen Zaltzman and Dr. Martin Austwick of The Allusionist perform in Dallas. The live special No Title is snarky, winding, defiant, and immensely funny, making for a joyful atmosphere at the historic Sons of Hermann Hall.
“What is the point of titles?” Zaltzman began. Fans of the podcast knew to expect a complex and insightful adventure ahead, and new listeners delighted in discovering the show’s structure. Primarily about gender in language, No Title explores the history and potential future of the honorific. (Of course, a medieval werewolf romance makes an appearance.) “You can reflect a version of the society you want in the language you choose to use,” Zaltzman says.
The tour continues through December 15 and includes 8 U.S. cities plus the Vancouver Podcast Festival and Hot Docs in Toronto.
In a “quick snapshot” of initial success, Spreaker Prime has released a first-quarter revenue report. The service, billed as a “white-glove service for talented independent podcasters and networks,” utilizes the programmatic ad tech of parent-company Voxnest.
Since the launch of the Prime service, its users have reportedly “generated $1 million in ad revenue, “with sixty-percent of the profits going directly to the podcasters.”
Users need 5,000 downloads per month to qualify to join the revenue-sharing program. “We knew Spreaker Prime could be the perfect way to dispel the myth that you must have millions of downloads to make money podcasting,” writes Ivey Amburgey.
“While it may be the best time for content creators, counterintuitively, it may be the worst time for overwhelmed consumers,” writes Steven Goldstein. “So much of the content looks fantastic. And that, it turns out, is a major problem.” The Amplifi Media CEO certainly has a point. Goldstein’s latest post is about why consumers are “drowning in content” and how the overwhelm affects their choices.
At Amplifi, the marketing conversation around a new podcast now takes place within the first of three phases. Focusing on the ‘key issues’ now means forming a distinctive branding strategy. As Goldstein figures, “With so many options, good content will be crushed by great content and similarly, average marketing will be pounded by standout marketing.”
Happy Thursday, readers, and thanks for coming out to support live podcast events. Upcoming North American tour dates from The Allusionist are below — is your town on the list?
Friday, November 8, Vancouver Podcast Festival
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