“Podcasts are democratizing information — and that’s a good thing,” writes Alicita Rodriguez of The University of Colorado Denver. Sarah Tyson, PhD, who teaches in the Philosophy Department, recently started CU Denver Philosophy Podcasts as a way to communicate with her colleagues.
“Part of the reason I started the philosophy department podcast was to share how philosophers think through world historical events as they are unfolding,” Tyson said. “I think that anyone who has to deal with the everyday concerns of the pandemic has a potential edge in thinking about it.” Six episodes by faculty members cover timely topics like scapegoating and propaganda.
Rodriguez explains how Tyson, also a host of New Books in Philosophy, uses podcasting to increase visibility of feminist thought and women in the field. The series “shows students that women can philosophize,” said Tyson. “That’s a powerful lesson that’s hard to teach merely by insisting it’s true.”
From late night television to social media, virus-related constraints “have driven a profound shift in how content is conceived, produced, and consumed,” writes Pacific Content co-founder Steve Pratt. This “stripped-down, personal approach to content” inspired by necessity has become something more.
Scott Newman, the creator and organizer of On Air Fest, observes how podcasting has changed in the absence of slick bells and whistles. “We’re seeing creativity being elevated and challenged,” Newman told Pratt. “It doesn’t feel like the time to sound to be like another podcast that is popular.”
Restrictions have forced us into celebrating imperfection, and audio has been especially prepared. “Now, if you’re a musician and you’re doing a performance, you’re doing it in your living room with no makeup,” said Newman. Podcasters regularly put on excellent shows in sweatpants — we've got this.
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