🤐 ICYMI: Sharing Your Secrets with the World

Presented by Podcast Movement

Even a mirror will not show you yourself, if you do not wish to see.

👏 The Reward for Good Work

…is more work.

More scenarios to calibrate our creative compass.


More lessons to derive from triumphs and shortfalls.


More opportunities to iterate, to become a better podcaster, a sharper performer, a lateral-minded creative who’s solution-oriented, not problem-focused.

More of what you signed up for.

Creating good work offers a reminder of our strength and perseverance. Despite the myriad challenges—the WTF deadlines, the contrarian client, the corrupted audio files, the launch snafu, the inner critic—we did it.

And as our reward, we get the chance to do it again.

🎙️ Signal Flow: Simon Kent Fung

Industry game changers and valiant minds from creative professions share their wisdom, adversities, and paths to innovation.

Simon Kent Fung, host and producer of Dear Alana

Simon has spent the last 15 years in tech and media, most recently as the Director of Design at Patreon, and as a design leader at Google Maps and TIME Magazine. Simon’s devout involvement with the conservative subculture of the Catholic Church gives him first-hand experience of the ideas, tactics, and personalities impacting young Catholics and their mental health. His podcast Dear Alana is an unraveling mystery and a poignant spiritual memoir about teenage rebellion and spiritual manipulation, the price we pay to belong and the systems that pay no price at all. Apple selected Dear Alana as one of twelve “Shows We Love” for 2023.

I felt compelled to make Dear Alana after learning about the story of this young woman who lived a life that seemed parallel to my own.

About a year into independently producing the show, I had already done a number of interviews and was prepared to be fully indie. But I shared the pilot with Tracy Leeds Kaplan at Tenderfoot and she loved it. And that’s how our partnership started.

One important thing for me in figuring out who to partner with was that the team itself would be really small. The big reason was that the show is so personal, it mines a lot of material from my own life that I wanted to safeguard. I needed to find people who understood me and could draw that out of me in a way that would preserve the vision I had for the show—which was to keep it very personal and vulnerable.

I know myself. Having a room full of people with opinions may not be the most conducive environment to write the show. One of the beautiful things about Tenderfoot was they understood the environment I was looking for and were very supportive.

I think that was special and rare to find that kind of environment to make this kind of show.

I've been a design leader and design director at places like Patreon and Google and Time Magazine, I've worked in creative environments before. The amazing part about making things as a team is the energy exchange between the people in the room who are all invested in the vision and are contributing their own thoughts, and everyone is riffing off of each other.

My challenge was…how was I going to convey this tangle of things I felt inside that I wanted to communicate in this project, and the vision that I had for it in terms of its tone and style?

The show is about belief and belonging. The magic was seeing other people get hooked into this world, who may not have shared the same religious or cultural experiences the subjects were enmeshed in, but could connect with the story in other aspects of their own lives. 

My original plan was to be the voice, a narrator that tells this story as I investigate what really happened to Alana. We ended up cutting together three episodes and having a feedback session with folks whose opinions we trusted. We got them in a room and had them listen to all three episodes and just had a freeform conversation about feedback. And the overwhelming consensus was: Who’s Simon? What are his stakes? What’s his story? That really opened my eyes to the necessity to inject more of myself.

I had been prepared fully to take a lot of my stories and secrets to the grave. But after hearing that feedback, it was like, okay, people do need to know who I am. And so that led me to progressively disclose more. And that was a journey.

Alana is a real presence in my life. I think the trick she played on me was like, hey, you're going to tell my story. But in the process, I'm going to help you confront some of the things in your past that you wouldn't otherwise have done if it wasn't in the service of telling my story. Which I think is generally how a lot of us probably work, right? It's so much easier for us to do things for other people or see what's happening more clearly when they're happening to other people than when they're happening in our own lives. 

It all happened so quickly that I don't even think I was fully aware of what was going on. Within the first week, the show hit number one on Apple podcasts in the US and Canada. In its first month, it had a million downloads, and there were dozens of write-ups and reviews. It was a bit of a high and I was just trying to keep up with it.

Maybe the second or third episode had been released when I was at Podcast Movement in Denver in August of 2023. And people were recognizing the show there. I certainly wasn't expecting this kind of reception, and I wasn't expecting it to get out so quickly to so many people. (continued below)

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It’s been eye-opening to see the podcast have a ripple effect in the world. I talked to somebody yesterday who has been planning and organizing an event in her hometown, to really go deep into these topics that the podcast covers around the unique challenges that people in religious communities face. We've had impromptu groups of psychologists meet to discuss topics related to the podcast, like conversion therapy and better ways to serve people who are coming from these intersections of faith, spirituality, and sexuality.

I'm still experiencing the repercussions of being so public about some of my past. Whether it's people from my past reaching out to me, family and extended family who are learning about this part of my life for the first time. I’m taking this new reality as it comes. 

Before the podcast came out, there was a lot of trepidation with Alana’s family. They hadn't heard the podcast, they didn't know exactly what I was saying. They placed a tremendous amount of trust in me. Each member of the family has received it differently. Some of Alana’s siblings have listened to it on repeat and wrote to me about how they learned so much more about their sister than they knew. Alana’s mother hasn’t been able to finish the podcast yet, it's been really hard for her to get through it.

It is a tremendous responsibility to tell someone's story. Her family placed a lot of trust in me, granted me incredible access to a lot of writings and her possessions. I think about that every day. 

🎧 Podcast of the Week

Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating.

Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.

🥾 Further Exploration

If you use (or have considered using) ChatGPT in your podcast workflow, this article from Descript might spark some fresh ideas: ChatGPT can see, hear, and speak now — here's how to make the best of it.

ICYMI:

Enjoying The Noise Gate? Why not share it with a fellow podcaster?

Until next time, have a bold week.

– Doug

For advertising information, contact Kristy at kristy@podcastmovement.com

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